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​​專書文章

Book Chapter

  • Yu-Peng Lin & Hui-Ju Tsai (2023). New Challenges of PSM in the Age of  Platformisation: A Case Study of Taiwan PTS+. RIPE @2021. Göoteborg: Nordicom. (Forthcoming)  (科技部計畫111-2410-H-239-001-)

  • 林玉鵬、蔡蕙如(2022)。〈數位時代下的新公共廣電服務:臺灣《公視+》的發展策略初探〉。王俐容主編《多元的吐納:穿梭於臺灣文化公共領域》,頁231-255。台北市:巨流出版社。(科技部計畫111-2410-H-239-001-)

  • 林玉鵬(2022)。〈中國冷門電影字幕的文化實踐〉。,劉昌德、馮建三編《傳播就是理解:當代兩岸媒體問題的批判分析》,頁169-194,台北市:國立政治大學傳播學院研究暨發展中心。

  • Yu-Peng Lin & Hui-Ju Tsai (2019). Indie music as cool ambassadors? The international dimension of music policy in Taiwan, 2010-2017. In Eva Tsai, E., Ho, T. & Jian, M. (Ed.), Made in Taiwan: Studies in Popular Music. Routledge Global Popular Music Series.

  • Hui-Ju Tsai & Yu-Peng Lin (2018). Neoliberalised development of cultural policies in Taiwan and a case of the Taiwanese film industry in a creative industries model. In Durrer, V., Miller, T. & O’Brien, D. (Ed.), The Routledge Handbook of Global Cultural Policy. (pp.449-467). London: Routledge.

專書文章: Work
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